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Hundreds turn out for Oxford Pride

first_imgA brightly-coloured crowd filled the streets of Oxford today, as the Pride Parade wound through the city centre.For some it was a display of love, while for other participants it was a political message.True to its origins with the Stonewall Riots in late 1960s America, the parade featured flags and banners with various political messages.These included placards from major political parties, along with Wadham’s Red Flag, which commemorates certain movements through the years and features phrases like “End Apartheid!”In response to reminders that pride is political, we support LGBTQ+ Campaigns calls to combat transphobia in our university. Pride shouldn’t be the only time diversity is celebrated, and trans students should always feel respected in Oxford! pic.twitter.com/5MYxnirNfZ— Oxford LGBTQ+ Soc (@OULGBTQ) June 2, 2018Also represented were several charities, including blood drives and Cancer Research UK.The parade began at the Radcliffe Camera where a large crowd prepared flags, placards, and bandanas. Participants started on their way at around noon, walking from Radcliffe Square to Broad Street, up Cornmarket, and towards the castle quarter. ‘At the University of Oxford, 80% of trans students have experienced anxiety, 75% have experienced depression’ @OxfordStudents @UniofOxford #LGBTOxford #LGBTQOxford #PrideMonth #mentalhealth #transpride #OxfordPride pic.twitter.com/UI0zd9lExT— Dr Cleo Hanaway-Oakley (@CleoHanaway) June 2, 2018The parade ended near Oxford castle, where the True Colours concert offered drag numbers, choral singing, and grunge music.Near the concert were plenty of booths with Pride memorabilia and flyers for pro-LGBTQ+, political, or charity organisations.Every major political party had a booth except for the Conservatives, according to a Labour staffer.Such a fun experience walking the parade with my Oxford Health colleagues! #OxfordPride #PrideMonth pic.twitter.com/O4ybnPydCO— Laura Smith (@laurasmith1505) June 2, 2018Esther and Nicole, two young women from Bristol, told Cherwell that they came to Oxford just for the parade.Esther said: “We want to show our love and appreciation.”last_img read more

NASCAR flips switch on new website

first_imgBold, interactive design hits cyberspace with fans in mind “As people wake up and log on to the new NASCAR.com today and every day moving forward, they will see that it was designed with one thing in mind: the fans,” said Marc Jenkins, vice president of digital media for NASCAR. “This digital experience is meant to constantly evolve based on user feedback, with the goal of a creating a better digital experience for our fans.”On the new NASCAR.com, the excitement of NASCAR will be captured through dynamic video, big, bold imagery, interactive graphics and the latest news and in-depth analysis from a choice group of NASCAR insiders and writers. Much of the content being produced by NASCAR.com’s editorial team will be focused on the upcoming races, giving fans the opportunity to consume rich, comprehensive event information on a week-to-week basis.“The simplified NASCAR digital platform makes for easier user navigation and maximized interaction,” said Jenkins. “And most importantly, fans will have the same digital experience no matter what type of device is being used — be it a PC, a tablet or a mobile phone.”Across the entire digital platform, there are also plenty of options for fans to further engage in on-track action on race day. The interactive live leaderboard will provide fans with in-depth information in real-time on each driver, while the popular RaceView and RaceBuddy applications will be improved for an enhanced broadcast complement on race day. Fans will also be able to engage in NASCAR FANTASY LIVE, the official NASCAR fantasy game, which will have a brand new look and feel.For fans heading to the racetrack, the new NASCAR.com will continue to serve as a great destination for in-depth information on NASCAR-sanctioned race tracks. From information on local attractions, track history, and most importantly, ordering race tickets, fans need to look no further than the digital home of NASCAR: NASCAR.com.Finally, in addition to an entirely new website, NASCAR will release a pair of mobile apps before the start of the Shootout at Daytona (Feb. 16, FOX) and the Daytona 500 (Feb. 24, FOX), giving fans an unprecedented second screen experience on their tablets and mobile devices.   •    NASCAR Mobile ’13 – This app is highlighted with content such as latest news, race leaderboard, video, social media updates, in-car audio, live data and more.•    NASCAR RaceView Mobile ’13 – In addition to the aforementioned features, this premium app will render a virtual live race environment, giving fans the ultimate tool to follow their favorite driver in real time throughout the entire race.NASCAR selected SapientNitro last summer to help design and build the platform for NASCAR’s new digital experience. NASCAR has also worked very closely with technology services firm Omnigon, which has acted as an advisor throughout the build. DAYTONA BEACH, Fla. — Calendars officially turned to 2013 just a few days ago, signifying for many a point of resolution – a fresh start in determining a new course of action. Like millions of its loyal fans, NASCAR took a bold step by officially flipping the switch on a brand new digital experience, highlighted by a revamped NASCAR.com. center_img ALL ABOUT GEN-6Virtual tour: Inside the Gen-6 carTimeline: History of NASCAR carsGen-6 101: Five things to knowlast_img read more

Hollywood East: Behind the Scenes of L.I.’s Booming TV and Film Industry

first_imgSign up for our COVID-19 newsletter to stay up-to-date on the latest coronavirus news throughout New York Angelina Jolie stars as “Evelyn Salt” in Columbia Pictures’ contemporary action thriller SALT.[dropcap]A[/dropcap] barrage of gunfire erupts on the Long Beach Bridge as a group of trigger-happy thugs fire a hail of bullets toward a half-dozen unsuspecting FBI agents assigned to protect the daughter of a United States general, pinning them inside their SUVs just before a massive explosion rocks the drawbridge.A bloodied FBI agent trapped inside a mangled Chevrolet Suburban on the other side of the melee takes out a gunman with her pistol before realizing she’s outmanned and outgunned. She hands over the little girl but promises she’ll find her, no matter what.About 40 miles east at the Fire Island Lighthouse, a deranged serial killer with a twisted interpretation of Edgar Allan Poe’s literature who was sprung out of jail by equally psychopathic groupies is holding his ex-wife hostage, hell-bent on making her suffer in front of the FBI agent who spoiled his killing spree.“This is your ending?” the ex-wife hisses. “A lighthouse?”The FBI agent, Ryan Hardy, chases the English professor-turned-maniacal killer into a nearby cabin, which soon becomes engulfed by towering flames. Horrific screams piercing through the crackling fire eventually fade as the murderer takes his last breath on one of Long Island’s most popular beaches. At least that’s what we’re led to believe.Much like Edgar Allan Poe’s work, this is all fiction. [Do you actually think Long Island is a breeding ground for ballsy AK-47-toting kidnappers and bloodthirsty English literature fanatics who get off on killing? C’mon.]Both scenes—the former, which was featured in the pilot to NBC’s new hit series The Blacklist, and the latter, the season finale of Fox’s The Following—are examples of the major productions undertaken by television and movie studios daily on LI.The pivotal scene in The Blacklist pilot, edited down to about 2 minutes and 30 seconds, took an entire weekend in March to shoot. Nassau County police had to issue an alert to drivers that northbound traffic would be diverted due to “activity” on the bridge.The producers apparently had such a swell time blowing things up on the bridge connecting Long Beach to Island Park that they decided to continue using LI as the backdrop for the thriller.While bursts of gunfire and ear-splitting explosions aren’t a common occurrence, that’s not to say filming isn’t going on. TV shows and movies are constantly being filmed in Nassau and Suffolk counties, albeit right under our nose.Two studios in Bethpage—Grumman Studios and Gold Coast Studios—have become essential to the burgeoning film industry on LI. With a combined 605,000 square feet of space, the studios, which repurposed the forgotten airplane hangers inside the old Grumman aerospace and defense facility, are thriving, especially after their most recent coup, persuading Amazing Spider-Man 2—the largest ever film production in the state—to shoot at both studios for nine months.LI’s idyllic beaches, historic mansions and quaint villages are also popular attractions for location managers, officials say. But it’s the New York State Film Production Tax Credit, which for some productions can be as high as 30 percent, that really motivates crews to film in the region, say local officials and industry experts.Nassau County Executive Ed Mangano held a press conference in September to tout the industry’s success, announcing that TV and film production generated $140 million in economic benefit to the county, citing an independent report. Suffolk, which conducted its own economic impact study, estimated revenue in 2011 from film and TV to be about $316 million.Mostly everyone agrees the industry is poised for further growth.“This is an industry that pays well, generates a tremendous amount of sales tax revenue because the movie industry typically buys everything locally, they stay in our hotels, they eat in our restaurants,” Mangano tells the Press.“We are fast becoming Hollywood East.”Grumman Studios, which boasts seven stages, was the scene for Amazing Spider-Man 2 (This photo cannot be reused without consent of Gold Coast Studios)Leap of Faith On a recent visit there are no explosions, unfortunately. Only the sound of hammer meeting steel as construction crews work inside Stage 3 of Gold Coast Studios to meet a January deadline to remove four columns inside the 40,000-square foot space.Lyndsey Laverty, principal at Gold Coast Studios, is basically running a one-woman operation. She says the sequel to Amazing Spider-Man was the “best publicity she could get.”“In order to get somebody out here we have to make ourselves stand out a little bit,” she says during a tour of the studio. “We are the friendly landlord.”After Gold Coast secured approval from New York State to allow TV and film crews to use the space in 2010, Laverty was able to convince producers of action thriller Man on a Ledge, starring Sam Worthington and Elizabeth Banks, to shoot inside the Bethpage facility.Crews built a replica of The Roosevelt Hotel inside Studio 1 and surrounded the “hotel” with a green screen that in post-production turned the studio’s gray walls into a spectacular New York City skyline.Laverty still marvels at what film companies can do to turn a hollowed-out, old airplane hanger into a visual masterpiece.“To see the process they go through to make this set come to life and then to see what they make is amazing because they’re really artists,” she says. “To have it happen in Bethpage and on Long Island is amazing.”The studio’s six stages lend itself to the type of projects the entertainment industry likes to produce because of its high ceilings, thousands of feet of space and an unhindered work environment. Crews never have to deal with the congestion that comes with shooting in New York City or other densely populated cities across the country.As an added bonus, Laverty acquired the miniature Times Square set created for Amazing Spider-Man 2 and brought it to her studio for future films.She notes that one of her biggest challenges was getting people to leave Manhattan for Bethpage. But she’s been successful in attracting them to the suburbs.“People think Long Island: They think the Hamptons. Some people just don’t know,” she explains. “So once they get out here and they’re like, ‘Oh, it’s not that far,’ then it’s like, ‘Okay, we can do it here.’”Most recently, Gold Coast Studios was the site of Winter’s Tale, which is still in production, and the short-lived ABC series, Pan Am. Amazing Spider-Man 2 spent nine months there, including at Grumman Studios.Grumman Studios, famously the site of Angelina Jolie’s spy thriller, Salt, is equipped with seven stages—the largest being Stage 3 at 37,200 square feet—that were all warehouse space until the studio’s president, Parviz Farahzad, a real estate mogul, invested money into the facility, resurrecting the Grumman complex.The facility also features an enormous green screen, which resembles a X-Games style half-pipe.The complex used to be home to Long Island’s largest employer and the birthplace of the Apollo Lunar Module.“We’re bringing it back,” says Grumman Studios spokeswoman Francine Bachmann.Local officials credit the two Bethpage studios and the facility at Sands Point Preserve in Port Washington for bringing thousands of jobs to Nassau County and spurring economic growth.In 2012, the two studios and Sands Point Preserve—where the famous “Horse’s Head” scene in The Godfather was reportedly shot—combined to have 393 shooting days and 1,945 employees on site, according to the Nassau County film industry economic and fiscal impact analysis conducted by Camoin Associates and released earlier this year. Nassau’s film industry generated $140 million and more than $800,000 in sales and hotel taxes, the report boasts.Amazing Spider-Man 2, destined for a monster performance at the box office, was a moneymaking machine for New York State and Nassau, creating 3,500 jobs and casting 11,000 extras. The production was a boon for local hotels, as it required 2,919 hotel nights on Long Island. Crews also threw tons of money at home improvement stores and local eateries—spending a generous $16,000 alone at Bagel Boss in Hicksville.Despite their best efforts, the two Bethpage studios and others in the industry say they can’t do it alone. They give a lot of the credit to state and local officials for stepping up and extending the New York State Film Production Credit, making it easier for private industry to compete with other areas of the country.“The tax credit does drive the film business,” says Laverty, adding that North Carolina, Georgia and Louisiana also entice production companies with generous tax incentives. “I do think New York is the epitome of filmmaking so I am confident that filmmaking will keep picking up.”Amazing Spider-Man 2 built a replica Times Square at Bethpage’s Gold Coast Studios when it filmed on LI this year. (This photo cannot be reused without the consent of Gold Coast Studios)If You Film It, They Will Come“What that does is it gives production companies a real sense of certainty about what’s happening in the next couple of years so you’ll see a lot more production that is willing to come to New York,” says Michelle Isabelle-Stark, director for the Office of Film and Cultural Affairs in Suffolk County.The film tax-credit program, which first began in 2004, budgets $420 million annually to attract TV and film companies to the state. The tax was recently extended to 2019. Starting in 2015 it increases the post-production credit cap to $25 million. Producers have spent more than $7 billion in New York since the program was implemented nearly a decade ago.The state estimates that the 163 projects that have applied for the program in 2013 will spend about $2.1 billion during production.It’s that multiplier effect—the money production companies spend on materials, hotels, food and other expenses—that makes the tax credit worth it, officials claim.“We had our busiest year ever in film and television production that the state supported through the film tax credit last year, 2012, and it looks like we’re going to have another record year this year,” says Kenneth Adams, president and CEO and commissioner of Empire State Development, which oversees the New York State Film Commission.“What we’re seeing now is an industry response to the supportive climate,” he adds.Long Island is the second-busiest region in the state when it comes to film and TV production, Adams notes, just behind New York City. He credits LI’s close proximity to the city and studios such as Grumman and Gold Coast.“If they’re based in the city, do they want to go up to Westchester and fight the congestion and everything or come out this way?” asks Isabelle-Stark. “It’s easier for them to come out this way. There’s so much diversity. We have everything they could possibly want, from the water features they’re looking for to the houses, to the Gold Coast mansions, the small, quaint villages. There’s just a lot of variety to choose from.”The entryway to Grumman Studios in Bethpage.Reaping The BenefitsLocal officials and industry experts are not taking anything for granted.Both Nassau and Suffolk offer locations tours, teasing site managers by taking them to picturesque areas around Long Island.Suffolk’s Isabelle-Stark, who runs the two-day tour, gets creative.Last year, she took location managers on a “path through history”-themed tour of some of the historic places in Suffolk. She previously led a group of 20 people on an outing to Brookhaven National Laboratory, Shoreham Nuclear Power Plant, Sagtikos Manor, Captree State Park and Camp Hero in Montuak—all of which she thought could be used for horror flicks.“Who else has these things?” she asks. “Nobody.”Nassau’s “film-friendly” tours went to the Garden City Hotel, the Allegria Hotel, the carousel on Museum Row, the Cradle of Aviation, and oddly enough, the Nassau County Correctional Center—which boasts four empty cells, a pharmacy, rooms for solitary confinement, a visitors room, and a chapel.“We show them the beauty of Nassau County,” Mangano says.State and local officials predict an upward trend for the Long Island TV and film industry at the same time that Hollywood continues to lose film production, according to The Guardian, which noted in a recent article that “aggressive tax breaks” from other states is contributing to a decline there.“The tourists still come but what they’re looking at is the past. It’s an illusion,” a makeup artist told the publication.Long Island by comparison continues to celebrate its past—such as critically acclaimed films The Godfather (Sonny was gruesomely killed at Mitchel Field) and Goodfellas (Atlantic Beach)—while setting its sights on the future, without of course revealing what’s on the horizon.Laverty, of Gold Coast Studios, can’t help but step back and think about how the industry impacts the local community.“When we have a movie here our entire neighborhood gets affected by it,” she smiles. “Which is great! It’s a huge impact for everyone.”last_img read more

How COVID- 19 has impacted mental health spending

first_img continue reading » There’s no way around it—2020 has been a stressful year. Between increased health anxieties over the global coronavirus pandemic, adjusting to shelter-in-place orders, transitioning to work-from-home and learning to navigate remote learning while schools are shut down, major civil rights protests, and an uncertain economic future, it’s no wonder that Americans’ mental health is suffering.Elinore McCance-Katz, the assistant secretary for mental health and substance abuse at the Department of Health and Human Services, stated that, “We’re quite concerned with what we’re learning from the field, what’s going on in communities that have been under stay-at-home orders. There are situations in which people have lost employment. They’ve lost their jobs, the structure to their lives. This puts them in a position where they have a lot of time on their hands, stress, anxiety, and boredom.”Health experts and social workers across the country worry about how Covid-19 disruptions will impact risk factors for deaths of despair, including increased anxiety, unemployment, and lack of community connections amid social distancing guidelines.It is a well-known fact that satisfied and happy workers provide better customer service and are more productive each day, leading to a 12% spike in productivity for your business and higher profits, according to a recent study at the University of Warwick. According to Shawn Anchor, author of The Happiness Advantage, the brain works more effectively when a person is feeling positive and is more creative, adopting better problem solving skills with this positive mindset. In this blog post, we’ll discuss how the mental health industry has responded to coronavirus disruptions by shifting from in-person visits to offering broader telehealth and telemedicine services. We’ll also give you some tips for how you can best support your employees’ mental health through difficult times. ShareShareSharePrintMailGooglePinterestDiggRedditStumbleuponDeliciousBufferTumblrlast_img read more